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All of these bees​.​.​.

by Breakfast Epiphanies

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Cyril Glaume
Cyril Glaume thumbnail
Cyril Glaume All of These Bees… pourrait être le fruit d’un side project regroupant des membres de Thank You Scientist, Moon Tooth et Without Waves. Ce premier EP propose un cocktail pétillant de Metal technico-virevoltant (presque assez tourbillonnant pour mériter le préfixe « Math- ») et d’accroches Jazz’n’Pop séductrices.

Pour en savoir plus: www.coreandco.fr/chroniques/breakfast-epiphanies-all-of-these-bees_-8849.html Favorite track: Clifford Clown Horse.
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1.
There are better ways to leave a mark than doing card tricks all in the dark. So speak, though you're sandwiched in, because you can't make a mess unless your vested-in, and despite my itches I've got to keep my motives hard to come by. Wind me up in your stave, I love a lot of things that misbehave, you've got billboards and broad strokes for tonight, but you'll falter when I hit the light. Don't count your words before the pen's in your hand, this side is desperate to be green. Don't count your words because you don't understand, what you're becoming to mean. Wind me up in your stave, I love a lot of things that misbehave, you've got billboards and broad strokes for tonight, but you'll falter when I hit the light. It's a product of academic distillation; Speak, though you're sandwiched in, (put it in a nutshell) and I'll play the part of all of the people left awake, you're passing undetected. Hold this plan while I flee from off the branches of this stubborn tree that wouldn't climb be. We're too small to come by. What are you going to say to the scars on my insides? Show me your darker side and I'll give you the password to cross my mind, but despite my wishes you're going to be my words I wish I lived by. Wind me up in your stave, I love a lot of things that misbehave, you've got forty more hours to get out of my sight or I'll falter when you hit the light. If it's fate or foresight, you've got gloves, and I've got hands to wash; we're lights and we're moths. We'll chase ourselves round the corners to where the blood stops; we're spills and we're mops.
2.
I'm whittling out the verses and the lines that make me realise, this little snappy heart is going to beat just a little bit faster every time the sun gets in your eyes and the stinging sets in and you're singing that maybe, maybe, I'm just much better when I'm making a mistake. We've got something to play with, like the birds and the bears, like naughty kids on stairs. You're a fact check on my train wreck, and all hands are on deck. The semaphore on your open core is holding all kinds of dares to see just which one cares. And please don't let it be me. Don't let it be me. Drying out. Wearing thin. Making tracks. All caught up and flying our kite, but you can't go out the weather's not right yet. It's all too good to last. My friends all lied and said. It's fine. It happens to everyone. The secret I despise is, you're something to get to if only I'll let you claim that this fall meant anything at all. So call it a surprise when the feeling I get when you're fiery wet is a four legged waltz; all breaks no faults. You smell unkind, but don't you worry, I haven't got in in me. It spells rewind, but don't you worry, I haven't got the time. To throw your maypoles away from you. Be sure your mountains will stay in view. I'll cut right down to the bone, to believe what I've only known, I'm breaking your trust going tactile to numb with my guardian angels stuck under my thumb and we'll take our chances with "no wrong answers" just screaming "c'est la vie!" I paint the red in me.

about

HERE WE GO! As promised, the EP is now free, but I want to give a last huge thank you to everyone who pre-ordered anyway, and if future people want to chip in more that would be amazing. For everyone else, enjoy! And watch this space, as there is more to come!

This mini-EP is the first release from Breakfast Epiphanies, but really this is something I've written performed and recorded myself (with the help of some good friends) over a number of years. This is an intensely personal project aimed only at obtuse weirdos like myself, but I'm really proud of how it has come out. I really hope you enjoy it!

Special thanks to Liam Allen for playing the bass and for helping me record this. Without him I'd never have got it done!

credits

released August 3, 2020

Written and performed by Sandy Nicholson
Bass guitar performed by Liam Allen
Mixed and Mastered by Matt Dougherty

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Breakfast Epiphanies London, UK

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